![]() Part 2: Portuguese Reception of Antigone (20th–21st Centuries)ħ António Sérgio’s Antígona: “a social study in dialogue form”Ĩ António Sérgio’s Antigone Revisited: Two Invectives against the Salazar Dictatorshipĩ Júlio Dantas’ Antigone: Or the Martyr of Late Romanticismġ0 Taking Liberties: António Pedro’s Recreation of Antigoneġ1 Antígona by António Pedro: Dialogues with European Aesthetic Currentsġ2 Creon, the Tyrant of Antigone on Stage: His Reception in Júlio Dantas and António Pedro during the Portuguese Dictatorshipġ3 Antigone: Code Name – Mário Sacramento’s One-act Playġ4 “Like a Ghost of Antigone”: Ganhar a Vida (Get a life), by João Canijoġ5 Antigone, Daughter of the D’Annunzian Oedipus. ![]() ![]() ![]() Portrayals of Antigone in Portugal: 20th and 21st Century Rewritings of the Antigone MythĢ Portraits of Antigone in Portugal and Brazil: The Reception of Antigone in the 20th and 21st Centuriesĥ Jean Anouilh’s Antigone: A Free “translation” of SophoclesĦ Seven Reflections on María Zambrano’s La Tumba de Antígona (Antigone’s Tomb) ![]()
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